Thursday, July 1, 2021

CR Newsletter for July is out

 

The July Compulsive Reader Newsletter is now out.  

This month's newsletter includes interviews with Nancy Business' RWR McDonald, A Cage Full of Monkey's Richard Souza, What a Wonderful World This Could Be's Lee Zacharias, as well as our Compulsive Reader Talk's guest Adam Aitken, who reads from and talks about his book 100 Letters From Home.  You can listen to that show directly here: https://anchor.fm/compulsivereader/episodes/Adam-Aitken-on-One-Hundred-Letters-Home-e12s6ne

The newsletter also contains a bunch of fresh reviews, a big suite of reviews, four great giveaways, and our usual roundup of the month's literary news.  If you're a subscriber, the newsletter is on its way to your inbox.  If you can't wait, or didn't receive it, you can grab a copy in the archive here: http://www.compulsivereader.com/sendpress/email/?sid=MA&eid=MTY1MDI

If you aren't a subscriber, go subscribe already! It's easy - just visit http://www.compulsivereader.com and enter your email address in the upper right hand box. 

"books" by peter.clark is licensed under CC BY-NC 2.0

Tuesday, June 1, 2021

CR Newsletter for June has gone out!

Hello readers, happy June!  The Compulsive Reader newsletter has now gone out and should be coming shortly to your inbox.  This month features reviews of great books by authors like Adam Aitken, Judith Skillman, Jodi S. Rosenfeld, Oliver Smuhar, and many others along with interviews with Sherra Aguirre, Felix Holzapfel, Paolina Milana and, on the podcast, our Compulsive Reader Talks interview with Michael J Leach https://anchor.fm/compulsivereader/episodes/Michael-J-Leach-on-Chronicity-e11de4o)

We also have three new giveaways for our subscribers! 

If you can't wait for it to arrive, you can view it in your browser.  To subscribe, visit http://www.compuylsivereader.com

Monday, May 3, 2021

CR Newsletter May: Denise Duhamel, H. L. Hix and Dante Di Stefano, Rachel Holmes, Paulo Coelho

The May Compulsive Reader newsletter has gone out now, and is on its way to in-boxes.  This month is full of literary news including the PEN American Literary Awards, the Whiting Awards, The NYC Library's Young Lions Awards, the Women's Prize for Fiction, and the NSW Premier's Award.  We also have ten new reviews and interviews, and three new giveaways for our subscribers.  If you'd like to check it out online, you can visit: http://www.compulsivereader.com/sendpress/email/?sid=MA&eid=MTYzODc

To subscribe, visit: http://www.compulsivereader.com

Image: "My Books" by Jennerally is licensed under CC BY-NC-ND 2.0

Wednesday, April 14, 2021

Guest Blog: A Birthday Wish for the National Poetry Month

 

Guest blog by Nina Murray: A Birthday Wish for the National Poetry Month

My birthday falls during the National Poetry Month in the US. I also happen to be a poet, so when people send me texts, presents, and other nice things for my birthday, I feel like poetry and poets ought to get some of the glow of the attention in which I bask. So this year, I asked my faithful Instagram followers and friends to make it a #helpoutapoet day and post a review of a poetry book they’ve read. The National Endowment for the Arts found that poetry readership doubled between 2013 and 2018 to a total of 28 million adults, news that was hailed as “dramatic.” The surveys used in the study that produced this number did not differentiate between having read a poem or a book of poetry.  

The Sealey Challenge arrived in 2017, and poets rejoiced again. After all, if people commit to reading 31 books of poetry in 31 days, that ought to do wonders for the art form. The challenge is a beautiful, spontaneous, powerful thing. It is also very hard, and I don’t even dare take it on. I only read half a dozen poetry collections last year. I reviewed all of them—on blogs, for literary journals, and on Goodreads and Amazon. This is my commitment: to review every book of poetry I read. Here’s why. 

Americans, despite the hand-wringing we have all heard, are still reading, and the COVID-19 occasioned lockdown is likely to boost the numbers of books read per person. What they are reading is a bit harder to pin down. The Census Bureau and the National Endowment for the Arts have been tracking reading trends since 1982. Back then, 56.9 percent of respondents said they had read a work of “creative literature” in the previous twelve months. In 2002, that figure fell to 46.7. In 2017, the most recent data available, 57 percent reported they “read books not required for work or school,” but only 42 percent specifically reported reading “novels or short stories”.  Of the millions of books published in the US each year, most that make it into the hands of the readers fall into mystery/thriller and romance categories. When Publishers Weekly did the math for 2020, they found that four out of top-ten selling titles were fiction. 

Before a book ever makes it onto a Barnes&Noble shelf with a glossy cover and a hefty price tag, it has to be sold six times, literally and figuratively. The author has to sell the manuscript to the agent. The agent has to sell it to the publisher, specifically, to the acquisitions editor. If the acquisitions editor has to get an editorial board’s approval, that’s three. Four: the acquisitions talks up the book to the marketing department. Five: marketing goes on the road to sell books to the wholesalers or reps. Six: the buyers at Barnes&Noble “sell” the book to the merchandisers who decide where in the store it goes, whether it gets a separate display, whether it is allowed to be placed flat on the shelf or just slipped, spine out, between its fellows. By the time you, dear reader, come into the bookstore with your preciously limited disposable income ($24.95 per year per “consumer unit” in 2019, which buys you one hardcover edition) a large group of professionals has labored for months to ensure that your judgement of their product is quick (because, after all, your attention span is shortened by all that visual media you consume) and positive. 

In the scrappy world of independent authors (previously known as self-publishing), the game is all about the numbers because that’s what algorithms understand. Instead of sending hundreds of queries to literary agents or publishers, the author recruits beta-readers. The author sets a release date and distributes advance copy to more readers, of whom at least a few, one hopes, have high visibility to Amazon. The author, inevitably, gets spam-sounding emails from people who offer to read and review his/her book for a small fee. There are give-aways to manage. Ad campaigns to design. The Eye of Sauron... I mean, the Amazon algorithm to catch. 

Let’s take a closer look. 

The author wrote a query letter to the agent (‘the pitch’). The author chose carefully and wrote to the agent who specializes in the kind of book the author has written. Since the author did his/her homework, the agent considered the manuscript carefully, and if it fit with what the agent usually represents and was  a competent piece of craftsmanship, the agent took it on and eventually called an editor. Obviously, the agent didn’t call just any editor – he/she has done her homework too, and only calls editors who publish the kind of books the agent represents. The editor wrote an internal memo to the board or to the marketing department. In it, he/she certainly mentioned how the book fits with the existing list of previously published titles. 

On the basis of these, marketing wrote the back-cover blurb. The author suggested other authors who might provide “advance praise”. Marketing also zeroed in on the keywords under which the book is catalogued in the Library of Congress and on bookstore shelves: Fiction—Women—Pregnancy. Or, Omaha, NE—Fiction. These categories help retailers categorize those millions of books that come to them each year; it is understandable that one would want them to be as narrow as possible, to minimize competition in each niche. Also, when you are looking for that belated gift for your 12-year-old niece who loves sharks, they save the day: Marine life—Pre-teen—Non-fiction. Done.

What all this preparation, all these keywords, blurbs and advance praises will never tell you, is whether the book you are holding in your hands is about to change your world. They won’t tell you if you’re holding a masterpiece, the defining work of our times, the next great one. They can’t. The number of titles published every year is growing, and the portion of the disposable income spent on books is falling. The resources required to attract your, dear reader, attention to a particular book far outweigh those necessary to produce it. The result is further compartmentalization of the supply. This means, basically, that editors and agents are narrowing their areas of acquisition, just as bookstores are fitting more keywords onto a single shelf, and Amazon’s algorithms try to match your reading preference to your choice of color for the bath towels. 

A medium-sized publishing house may not consider any fiction other than novels set in a particular region, such as the Midwest. Should one of them  happen to be the next literary revolution, its success will still depend on the amount of resources the marketing department can throw behind it, and those resources are always limited—at smaller presses, there simply isn’t that much money to go around, and at the bigger presses the cost of the author’s advance can swallow a big chunk of a book’s budget.

How, then, are we readers to choose the books we buy in search of inspiration, enlightenment, or simply entertainment? How do we know we are not wasting our $24.95? Or even $2.95 for a Kindle edition? 

If it’s money you are worried about, the answer is easy: public libraries are excellent, thrift stores are awash in well- and less-known gems, and Little Free Libraries are adorable. 

If, however, you would like to know what you should read next, for reasons of emotional, dramatic, or comic power, you might be at sea. You might—and very well should—turn to places that publish reviews (and I don’t mean Goodreads). In the interest of cutting costs, newspapers across the country have cut book review staff and discontinued relationships with free-lance writers. One no longer has the luxury of making a living as a literary critic (remember those?).  Reviewers are volunteers, and just like other volunteers they do this work because they believe in it. They believe that when they sit down with a book, read it with an open mind, and give you their honest opinion, they do something that no one else will. 


About the author: Nina Murray, poet, translator

Nina Murray was born and raised in the Western Ukrainian city of Lviv.  She holds advanced degrees in linguistics and creative writing.  She is the author of the poetry collection Alcestis in the Underworld (Circling Rivers Press, 2019) as well as chapbooks Minimize Considered (Finishing Line Press, 2018), Minor Heresies (Heartland Review Press, 2020), and Damascus Electric (Pen & Anvil Press, 2020) Her translations from Russian and Ukrainian include Peter Aleshkovsky's Stargorod, Oksana Zabuzhko's Museum of Abandoned Secrets, and Oksana Lutsyshyna's Ivan and Phoebe (forthcoming from Deep Vellum).  

She speaks Russian, Ukrainian, Spanish, Lithuanian, and English. 

Thursday, April 1, 2021

CR Newsletter for April has gone out

Hello readers!  Our April newsletter has now gone out and is slowly making its way to our wonderful subscribers.  This month features some great giveaways, fantastic interviews including Under the Magnolia's T.I. Lowe and The Curator's Daughter's Melanie Dobson as well as a bunch of fresh reviews and an absolute ton of literary news (so many awards in March!).  I've also got an interview with Foxline's Chris Mansell on the podcast, which you can listen to at the site (where you can also subscribe for free: http://www.compulsivereader.com or directly here: 

https://anchor.fm/compulsivereader/episodes/Chris-Mansell-on-Foxline-etcae9. If your newsletter hasn't arrived yet or has gotten stuck in spam, or you just want to see what all the fuss is about, you can check it out in the archive here: http://www.compulsivereader.com/sendpress/email/?sid=MA&eid=MTYzMzI

Sunday, February 28, 2021

CR Newsletter March is out!

The March Compulsive Reader Newsletter has just gone out. This month we feature interviews with Keats' Ode's Anahid Nersessian and A Gentle Tyranny's Jess Corban as well as eight new reviews including, among other things, Elena Ferrante's new book The Lying Life of Adults, Vegan Junk Food by Zacchary Bird, and Sonnets by Theresa Rodriguez. There are also two new giveaways and a whole bevy of literary news from around the world. It should be arriving in your inbox directly, but if you haven't gotten it yet, you can grab a copy from the archive, here: 

 http://www.compulsivereader.com/sendpress/email/?sid=MA&eid=MTYyNzI

Tuesday, February 2, 2021

Compulsive Reader Newsletter Feb

The Compulsive Reader February newsletter has now been fully distributed. This month's issue includes fresh reviews of books by Terese Svoboda, Chandra Gurung. Nina Murray, Kim Chinquee, and lots more as well as interviews of Hollywood actress and author Brianne Davis, along with a full suite of literary news, three new (and rather fabulous) giveaways including the amazing Jennifer Maiden's new poetry book Biological Necessity which will be autographed.  If you didn't get your copy, you can grab a copy from the archive here: http://www.compulsivereader.com/sendpress/email/?sid=MA&eid=MTYyMTk

Sign up for the newsletter at http://www.compulsivereader.com.  Happy reading! 

Image: "My Bookshelf 1" by Frank M Rafik