NWF17 promo

This year is the fifth anniversary of the Newcastle Writer’s Festival (NWF) and once again I’m heavily involved.  I go to a number of writers festivals throughout the year and I love them all, but the NWF is my favourite and not only because it engages heavily with the local writing and reading community of which I’m a part, though they do and every year the number of people I recognise in my extended writing ‘fam’ seems to grow, but also because the festival is both grand, full of fantastic and well-known writers (140 to be exact), and intimate.  It’s the perfect combination of warm/cozy and big/thrilling.

My first session is on the Friday the 7th of April when I will be dropping by to read my second prize poem from the Home is the Hunter anthology.

On the Saturday the 8th of April, I’m hosting Coming of Age: The Power of a Young Narrator with Peggy Frew, Alice Pung, and Holly Throsby in the Concert Hall at City Hall.  Peggy, Alice and Holly all have fantastic novels with teenage protagonists, and we’ll be exploring the teen voice and its appeal to writers and readers, notions of displacement, introspection, otherness and transition, along with their 3 very Australian (and quite different) settings.


This will be followed by a discussion with poets Ivy Ireland and Michael Atkin on The World Around Us - Ecopoetics in The Press Book House at 145, followed by the official launch by Jan Dean of my new poetry book Unmaking Atoms at 230.

On Sunday the 9th of April, I’ll be back in City Hall for 115 for my session Home as a setting and Yearning with Maggie Walsh and Kim Mahood, where we’ll be talking about such things as how place shapes perceptions, about the relationship between nostalgia and notions of home, and what home means in a poetic, literary context.

This will be followed by a mega-poetry reading at the Port of Newcastle marquee at 230 (I’ll be running over with Maggie Walsh) with some of Australia’s best poets including joanne burns, Michael Aiken, Eileen Chong, John Foulcher, Andrew Galan, Judy Johnson, Sara Mansour, Ravi Nagaveeran, Philip Salom, Berndt Sellheim, Melinda Smith and Maggie Walsh.

It’s going to be a massive weekend, and if you come to any of my sessions, all of which are free (more than half the sessions on the program are free this year), please come up and say hello!  You can grab a full copy of the program here: http://www.newcastlewritersfestival.org.au/2017-program/.

Newcastle Writers Festival day 2: poetry and the wisdom of crowds

The second day of the NWF16 was a little more laid back for me than the first. I didn’t arrive until midday so had a bit of time to look around the packed and very tasty bookstore set up by Macleans Booksellers.  The weather continued its beautiful streak, even though it was raining back home, and it was nice just to walk around past the cafe setup outside of the Civic theatre and City Hall and feel the buzz of literary excitement as people walked around holding books, talking about books, and generally waving and smiling at one another.  I felt like I knew everyone I saw even if I didn’t know them.  It was that kind of atmosphere.

Then it was time for the Home Grown session where I had the great pleasure of reading poetry with Ivy Ireland and Keri Glastonbury.  Keri’s poetry was fresh and exciting, enriched with current affairs and chance operations from Facebook and other social media influences, and Ivy’s was like my own in ways, blending science, spirituality and skepticism, humour and domesticity.  Jenny Blackford was the perfect host, fielding some pretty heady (and sometimes unanswerable) questions and keeping us all to time.

After that I joined Cassandra Page, Jan Dean, Leonie Rogers, Tallulah Cunningham, and Janeen Webb for a reading at the launch of Novascapes Volume 2, a speculative fiction anthology.  As with the Sproutlings launch, I got a strong sense that this was a community of supportive writers who were looking after one another.  For me, that sense of connection and support was the overall theme of the weekend.  Apparently there were 6,500 attendees for over 65 sessions, exploring a very wide range of genres, issues, themes and ideas, but the whole thing felt intimate and inclusive.  Of course I got plenty of inspiration for my own writing and my fingers are itching to get back to it, but it also felt like there was a real sense that this year's festival was about the power of the collective: that the answers to the big questions are all around connecting (in the EM Forster sense):  coming together, supporting one another, and talking/writing openly, even about difficult, painful subjects and seemingly intractable issues. I heard this refrain again and again through nearly every session I attended.  The dates for NWF17 are 7 to 9 April, 2017 and I’ve already got it in my diary.  Huge kudos once again to the amazing volunteers who kept everything running smoothly and to the festival director Rosemarie Milsom, who did a superb job with the program.

Newcastle Writers Festival day one: bullying, memoir aftermaths, climate change, mothers and fathers, and killer plants

NWF16 is over, and in the post-festival glow, I thought I’d do a quick write-up on my sessions and a few of the key insights they yielded.  First and foremost, the festival as a whole was incredibly slick.  Even when the fire alarm went off and we had to evacuate during my first session, the superb and well-inducted volunteers kept things moving, and got us out and back in with minimal disruption. At every point during the session and without exception, the volunteers were smiling, helpful, and generous with their support.

My first session was Playground Politics with James Fry, Rebecca Starford and Brigid Delaney. The panel spoke about bullying as it plays out in James', Rebecca's and Brigid’s books, and I think the biggest takeaway for me was that bullying can have far reaching and extreme consequences that can be difficult to trace back. but talking openly and coming to understand the roots of bullying can be very powerful, not only in terms of individual well-being (that of our children and selves), but of our society as a whole.

I had a brief break before my next session and was lucky enough to get into the sold out session The Economy vs The Climate with Tim Flannery, Ross Gittins, Dennis Glover, Scott Homes and Paddy Manning.  What struck me about this session was the optimism of the panel even as they made it absolutely clear that urgency was critical and that failing to take action now to reduce emissions would have significant risks to growth and prosperity (e.g. the economy).  The key is in managing the transition before we reach crisis point (though that’s very close).  Flannery in particular provided examples including Sundrop Farms in Queensland.

This was followed by my session with Kate Holden, Michael Sala and Rebecca Starford on The Aftermath - what happens when the private becomes public?  I suspect that the heavily engaged crowd for this session contained a number of memoir writers, and the questions asked included litigation, morality, and process, but what really stood out for me was a point that Kate made that while memoir writing does indeed have aftermaths, in many ways it is also a tender and generous act.  By openly examining and then accepting/forgiving ourselves, we provide the means for others to to the same - it’s a way of not only personally, but collectively, healing.


With an hour’s break between my own sessions, I managed to slip into "Mothers and Fathers: Why so complicated" with Rod Jones, Mark MacLean, Rosie Waterline, and Meredith Jaffé before the Sproutlings launch, though I was near the back so didn’t take any photos. There was an intensity to all of their stories but I was certainly not surprised by the ongoing impact, beneath the skin and into the fingers of the writer, of the parental relationship, both as children, as children of children, and as parents in the case of Mark and Rod (Rosie always spoke about her nieces).

Day one ended with a very enjoyable ‘launch’ for the Sproutlings Anthology with editor Morgan Bell and illustrator Tallulah Cunningham.  As many of the audience members were also authors in the collection (some of whom were dressed as plants!), this turned out to be full of camaraderie, with lots of nodding heads, and some really focused questions in the end.  The discussion focused a lot around process and promotion and my overall takeaway from this was that, while writing may be a solitary process, being part of a broader community (and anthologies are a great tool for that) is vital.  I’ll talk more on that in my day two write-up, as this theme of connection and understanding, for me, was the real takeaway from the festival overall and it came up again and again, in many different genres, structures, and contexts.  That was the end of day one, and I felt quite bloated with delight after that, and ready for a glass of wine and feet up before a slightly more relaxed day two which I’ll cover shortly.

Newcastle Writers Festival is coming very soon!

It’s just 15 days (probably less by now) until the Newcastle Writers Festival begins!  The 2016 program is the best yet I think, and that’s no small accolade since 2015, 2014 and 2013 were all exceptional.  I’ve been to quite a few literary festivals, and this one is, hands down, my favourite.  Not just because I know a lot of the writers and attendees and it’s an opportunity for me to catch up (I feel very much at home here), but because it’s an intimate and down-to-earth event even for those who aren’t locals (I’ve brought guests with me in the past and they’ve confirmed this) - you tend to get pretty close to even the most famous writers, and there’s a very comfortable and welcoming vibe.  The queues for the free events aren’t outrageous, and there’s a perfect mix between genres, sessions aimed at readers and sessions aimed at writers, current affairs and politics, poetry (always lots of poetry at the NWF), family events, and performance.

This year, I’m involved in several sessions.  On the Saturday the 2nd of April, I start the day at 10am in Hunter Room, City Hall, with Playground Politics, a free session with Brigid Delaney, James Fry and Rebecca Starford in which we’ll be discussing bullying, particularly as it plays out in institutions like schools.  Brigid Delaney’s novel Wild Things is set in an elite university college where hazing and bullying are endemic.  James Fry’s memoir The Fry Boy looks at the long term ramifications of school bullying on him in chillingly honest detail, and Rebecca Starford’s memoir Bad Behaviour looks at the bullying at a school camp, taking a very close look at the complex and often subtle factors that underlie bullying.  Each of the settings of these books is very different, as is the impact, but they are all equally powerful and I expect the session, which remains absolutely topical, to be fascinating.

At 1:30 in the Playhouse at Civic Theatre, Rebecca Starford rejoins me, along with Kate Holden and Michael Sala for The Aftermath, a session in which we’ll be looking at the impact of memoir - what happens when the private becomes public.  Kate Holden’s memoir Under the Skin is both gorgeous and intensely confronting.  I’ll be reviewing it shortly (before the festival, hopefully!) as soon as I’ve finished Kate's follow up - The Romantics, which I’ve just started.  Michael Sala’s memoir The Last Thread is partly set in Newcastle, and is a poetic and novel exploration that plays with the memoir form.  I expect this session to appeal to both readers and writers - particularly those who are working on memoir.  It’s a growing and very popular form, and as someone who has personally felt the aftermath as a named “character” in a family biography, I’m looking forward to exploring this topic more.

Since Rebecca Starford is in two of my sessions, we did a pre-session podcast to talk about her memoir Bad Behaviour: http://www.blogtalkradio.com/compulsivereader/2016/03/15/rebecca-starford-on-bad-behaviour

At 4:30pm in the Cummings Room, City Hall, I’ll be joining Morgan Bell and Talulah Cunningham for the Sproutlings Book Launch.  Sproutlings is a wickedly funny anthology, and Morgan has very successfully crowdfunded the publication, so we’ll be focusing our conversation on self-publishing, crowdfunding, on creating an anthology, selecting pieces, illustration, and lots of other topics.

Finally, I’ve got a session on Sunday at 1:30pm in the Mulumbinba Room City Hall titled Home Grown.  This is another free session hosted by Jenny Blackford in which I have the great pleasure of reading poetry along with the wonderful poets Ivy Ireland and Keri Glastonbury.  I’m not sure I qualify as home grown, but after 26 years in the Hunter, I certainly feel like a local.  Blackford is, of course, a fine poet herself, so again, I think this will be a superb session with perhaps a few little surprises.

All of these sessions will be interactive and the audience will be encouraged to join in with questions, so if you’re able, please come, say hello, and join the fun!

Grab a full program here: http://www.newcastlewritersfestival.org.au/program-2016/ (or request a printed one).

Chatting with the Nix

Photo: Richard Lever

Yesterday, at the Newcastle Writers Festival, I had the pleasure of interviewing author Garth Nix.  We were in the beautiful concert hall, and though I’m sure there were many fantasy authors in the audience, who were attending primarily to learn how to improve their writing, I suspect that of all the NWF sessions, ours would have had the highest proportion of people who were there simply because they loved the work of the author.  There were plenty of Nix fans in the audience, clutching their books in eagerness for a signature and photo after the show, and enjoying Garth’s rich sonorous reading from Clariel, the latest book in the Old Kingdom series.  Garth was engaging, and though I was in the role of interviewer, I found his answers as inspiring to me as an author as if I’d been sitting with the audience.  Some of the points I took away were that his first 12 or so novels were written very much part time while he was working in a time-consuming day job (the first few books were not particularly successful or life changing).  He said he wrote only two nights a week and on Sundays and had a novel a year at that rate.  When he finally decided to write full time, he spent a year procrastinating and not writing, and went back to work for agent Curtis Brown just to get back to his productive part-time schedule!  

Photo: Richard Lever

One of the audience asked him how he came up with his lyrical book titles (character names) and he said he began with Sable - near black, and wanted the ‘iel’ suffix to conjure the notion of angels in people’s minds (Gabriel, Azreal, etc) as just a slight resonance.  He wrote out a long list of names and read them out loud many times in order to see which ones felt right ("Sabriel...Sabriel" he said into the mic in his deep resonant voice).  

Photo: Leonie Cutts

Abhorsen came straight from Shakespeare’s executioner in Measure for Measure (“I employed the time-honoured tradition of stealing from Shakespeare, who did it himself").  There were lots more gems, about world-building, about gender and genre, about monsters and family pets (“Mogget is every cat I’ve ever known”), about the joys, and sometimes pressure of having super-engaged fans. The audience asked wonderful questions (I apologise to anyone who had a question that we didn’t get to).  At the end, Nix gave away lots of goodies - books not available here, an audio of Clariel, and bell charms.  I have to make special mention of the wonderful volunteers, who made sure that everything ran smoothly and professionally.  They were at the NWF all day, working hard, smiling warmly, and it all felt effortless to me.  If you didn’t get to the NWF yesterday, and even if you did, there’s still a whole bevy of sessions on today.  There are tickets available for everything, and lots and lots of fantastic free sessions too.  

It’s almost time for the Newcastle Writers Festival 2015!

If you’re a regular follower of this blog, you’ll know how much I love the Newcastle Writers Festival.  Though I’m not on the organising committee as such, I feel a little like a co-conspirator because the committee members are so fabulous and I know and like them all, and because I’ve been participating reasonably heavily in the festival since its inception.

There are many things which set the NWF, as it’s commonly known, apart from other festivals.  First and I think foremost, is that it’s not daunting.  I’ve been to a number of other festivals and sometimes you can feel, as a writer, a little overwhelmed by the big names, and by the sheer mass of people.  Sitting quietly at the back of an audience, you might even feel a bit like a fraud (classic impostor syndrome) amidst so many confident, more appropriately dressed, more eligible to be there “real writers”.  That’s not the case for the NWF. It’s welcoming, down-to-earth (as Novocastrians tend to be), and absolutely accessible.  Thanks to the director Rosemarie Milsom’s hard work and influence, we have big names at the NWF, but they seem to be huggier, more approachable, and maybe just easier to get to (crowds are a fair bit smaller than at Sydney or Adelaide for example).  There’s also a great balance of poetry (this year’s poetry program is awesome - more about that shortly), nonfiction, fiction of all genres, bloggers, self-publishers, and general literary/political chat.  Finally, there are a significant amount of free events and the prices for non-free events tend to be pretty reasonable.

If you’re a reader or writer of any sort, at any stage of your career, you’ll be welcome, and will find, not only some excellent sessions full of insight on how to improve what you’re doing and ramp it up, but also the kind of camaraderie, stimulation, and almost guilty pleasure that folks like us need (writing and reading being rather solitary pursuits most of the time).  This year, I’ll be ‘in conversation’ with superstar Garth Nix, who will be chatting with me at 10am on Sat the 22nd of March about his latest book Clariel and indeed his entire Old Kingdom series, on writing fantasy in general and a bunch more.  Plenty of time, as is always the case with my sessions, will be allowed for the audience to ask questions and join in the conversation directly.

I’ll also be reading some of my own work from the anthology A Slow Combusting Hymn, a free session titled “A Celebration of Poetry From and About the Hunter”, held on the Friday March 20th from 145 to 315pm.

But wait, there’s more.  For poetry lovers (hello), there’s an entire program page here: http://www.newcastlewritersfestival.org.au/poetry which includes the likes of Les Murray, Anthony Lawrence, Julie Chevalier, Jennifer Compton, David Musgrave, Beth Spencer, John Stokes, Melinda Smith, Jan Dean, Judy Johnson, Ivy Ireland, Jean Kent, and lots lots more.

The full program can be found here: http://static1.squarespace.com/static/50a1efd1e4b039333cbb56c1/t/54d9a452e4b0de7874f0060c/1423549522197/NWF2015-festival-program-web.pdf

Just to get your saliva flowing, the program has the likes of Helen Garner, Michael Robotham, Jessica Rudd, Marion Halligan, Blanche D’Alpuget, Wendy James, Jaye Ford, Brooke Davis, the names go on - all involved in a hugely diverse range of sessions, including a children’s and secondary school program, throughout the 3 days of the festival.  Some of the sessions require tickets and they’re going fast, so go, have a look, join me in my excitement, and if you do decide to attend, come and say hello.  Hobnobbing with other writerly and readerly folk is definitely part of the fun.